OPENFIELD HOUSE

OPENFIELD HOUSE

 

LOCATION
TYPE
STATUS
AREA
CLIENT
COLLABORATOR
PHOTOGRAPHER
RECOGNITION
Queenstown, Aotearoa
Residential; Interiors
Built
230 m²
Undisclosed
Concept Part. - M. Whiteley
S. Hartnett, B. Rowley, KM
NZIA, Best Awards, Habitus

 

Set within the expansive mountainscape of New Zealand’s Crown Range, Openfield House exists as an object of pure geometry. Rejecting distinctions between interior and exterior spaces, the family home is designed as a vehicle for living within the natural context, a curated dialogue between organic and inorganic, a celebration of authentic connection to the earth.  

A square plan and corrugated roof reference historical structures of the region - such as miner’s huts and agricultural sheds - with a rationalised grid to facilitate the opening and closing of interior spaces around the needs of the occupants. The plan establishes a continuous field within which several heavy concrete volumes provide groundedness among the collection of interchangeable spaces. An open fireplace anchors the building’s centre and concealed sliding joinery commits the thresholds to an openness that invites the landscape inwards. Pushing up from the ground, a solid concrete mass functions as an extension of the rocky terrain, the foundation atop which a collection of cedar boxes huddle under a simple metal roof. The considered material restraint is in service to a hierarchy of elements; the approach to materiality and construction is based on the abstract idea that if the lightweight elements were ever to come down, that which remains would be a ruin of stone objects rising from the ground.

Here, the design strategy serves to retain the raw energy across the site, crafting the home as a place of respite for a family with an active lifestyle, an offering akin to lying under a tree for the afternoon. Alongside essential utility, critical emphasis is placed on a raw, authentic material palette the textures and tones of which are a cohesive integration of natural stone and timber, establishing the sense that this building has always existed as a permanent fixture of the landscape.

 
 
 

DRAWINGS

 

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